BUREAU of ARTS and CULTURE MAGAZINE: LOS ANGELES

BUREAU : INTERIOR DESIGN

SPONSORED BY THEFALLSLOUNGE.COM

THE RITZ - CARLTON HOTEL & RESIDENCIES

900 W. OLYMPIC BOULEVARD LOS ANGELES

CALIFORNIA 90015 PHONE 1 . 213 . 622 .4242

BY JOSHUA A. TRILIEGI

    The opulence of the Ritz-Carlton Marriot in downtown
Los Angeles is of a world class level.    The lobby employs
in laid stone, six chandeliers which descend like fireworks
high above the marble floors, comfortable lounge seating
as well as business style meeting areas. A variety of both
luxury class and working class options are available here.

   The Mixing Room Cocktail Lounge allows for the single
after work crowd as well as the casual lunch engagement
to grab a quick seat and meet and greet friends & partners.
A deco style, creme colored motif with an early modern style.
Couches, barstools and seating with a low comfy vibe abound.

News, current events and sports stats are readily available
on two large screens, considering that ESPN is located around
the corner, it allows for sports fans to follow the pre and post
game stats for our local basketball and hockey seasons in L. A.

The Glance Wine Bar offers a variety of white wines, champagne
and a nice portfolio of Napa based Merlot , Cabernet & Pino Noir.
As well as a signature line of cocktails using Grey Goose, Hangar 1,
Hendrick' s and Cazadores Reposado. There is also an Illy espresso
bar when its time to get back to work, or re - write that first draft.
Espressos and a wide variety of latte' s and pastries are at hand.

The LA Market restaurant by Kerry Simon has an open air seating
arrangement which allows visitors as well as those living or staying
at the hotel to peruse where their expected guests and friends
as well as loved ones and associates are seated. There is an all
natural light ambiance which shines throughout the hotel lobby.

The outer structure of the building has a somewhat imposing
quality to the passerby , though upon entering the structure,
a refreshing and all modern space opens itself up and we are
in an international experience of both luxury & convenience.
Fabrics in orange, purple & mustard are peppered through a
mostly neutral base tone of creme, beige and brown marble
and stone floors and wall motifs. The classic stairwell as well
as escalators and elevators give one an option of how to travel
upwards. The entire hotel is bustling with clientele from around
the world and around the block. The Los Angeles skyline is visible
to the North, to the South the Nokia Theatre and the Convention
Center, to the East the more traditional and newer structures
which have gone up in the last decade & to the West, a lovely
sunset with the classic Palm Trees which make L.A. an identifiable
symbol for progressive architecture, business and lifestyles.

The new Los Angeles that wishes to compete with Dallas &
Miami is here. These large new hotels employ hundreds of
Los Angeles citizens whom are in need of a regular paycheck:
valets, receptionists, chefs, maids & guards. The World class
tourists & business persons will find this hotel fun & glamorous.

By Joshua A. TRILIEGI for BUREAUofARTSandCULTURE.com

DEVELOPER - AEG . ARCHITECT - GENSLER . BROKER - AGENCY
STAPLES CENTER . NOKIA THEATER .    THE GRAMMY MUSEUM
ESPN .     LUCKY STRIKE BOWLING ALLEY .   WOLFGANG PUCKS

BUREAU : INTERIOR DESIGN

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WHY JIM HARRISON IS NOT DEAD

Tap Image to Read The Article Honoring The "LEGENDS OF THE FALL" Writer and Poet: Jim Harrison came from a family that adored and revered Literature: "My Family were obsessive readers…" The famous story goes, that, at a dinner table discussion, his family were talking about Norman Mailer's first success on the world stage and his book, entitled, " The Naked and The Dead, " young Jim responded to the conversation with the quick and curious question, "Does it have Illustrations ?" Laughter ensued and the beginning of his particularly curious, yet grounded, stoic, although humorous, celebratory whilst at the same time cautionary literary style is born.

THE IRVINE WELSH INTERVIEW

Author of TRAIN-SPOTTING on Writing, Politics + More/ Photo Essay By Walter ROTHWELL: "One of the things that happens with success is that you need to balance being a writer with an author. Writers write, while authors promote and talk about their work. So you learn that you have two jobs, which generally compliment each other, but can often get in each others way. This confusion is compounded by me working in film and TV; you need to think differently on screenplay as you are an architect rather than a builder, and once a work goes into production, you (appropriately) fall quite far down the food chain. So I now wear different hats, which I usually like –life gets boring doing the same thing."

The Nathan Walsh Interview

Tap to Read The New York Based BUREAU Guest Artist discussing his work, technique and the future of Realism in ART with Bureau Editor Joshua TRILIEGI: "I started collecting art related books as a student. This has served as daily form a of inspiration and guidance for my own practice. Looking at significant artists and paintings of the past can often be intimidating but can also suggest ways forward. My inspirations are numerous and varied from Piranesi’s engravings to the decorative tiles of William De Morgan. What connects all of these interests is a strong sense of structure and pattern. Most of the artists and designers I admire had or have a rigorous approach to composition and commitment to process perhaps more than outcome. I often think my own work as “sampling” these inspiring figures, whether it be the palette of Bonnard or the dynamism of a Bernice Abbott photograph. " - NATHAN WALSH

THE MUSIC EDITION

Tap To Read and or Download The FREE Music Edition INTERVIEW Painter CHRISTOPHER STOTT . This New Edition Contains The BUREAU MUSIC ICON Essay: HANK WILLIAMS . PHOTOGRAPHIC ESSAYS and ARTICLES BY THE INFAMOUS MR. ART SHAY . MATHEW BARNEY at MOCA LA Plus BUREAU PROFILE : ANDREW HOLDER . The BUREAU PHOTOGRAPHIC INTERVIEW with LAURA STEVENS in PARIS . BUREAU FILM : BLUE VELVET at THIRTY . ART of MILES DAVIS "The SHAMAN" . PRINCE TRIBUTE plus MUSIC INTERVIEW with Singer-Songwriter: JOSHUA TATE . SOUND ARTIST : CÉLESTE BOURSIER - MOUGENOT with CHRISTOPH COX . DESIGN : ITS ABOUT WALLPAPER . COMEDY INTERVIEW with Andre HYLAND . John DOE . Aimee MANN . Chris STAPLETON . BLACK IS BEAUTIFUL : KWAME BRATHWAITE'S New HARLEM RENAISSANCE . DANNY LYON at THE WHITNEY MUSEUM + R. CRUMB at SEATTLE MUSEUM . TUPAC + ICE CUBE PHOTOS Mike MILLER . "LEGENDS OF THE FALL," WRITER : JIM HARRISON .

The ALEX HARRIS Interview

Tap To READ Alex HARRIS : "When I had the idea to photograph the landscape of northern New Mexico through the interiors of the cars of people who lived there, I’d been living in northern New Mexico on and off for almost 15 years and working in color there for about five years with a view camera. I saw myself as making the portrait of this region without including any actual people in the pictures. So I photographed extensively inside homes, whose decoration was primarily the domain of women, and the outsides of homes and in the fields, which was primarily the domain of men. In photographing these spaces, in a sense I was portraying the people who had created or shaped those spaces over the years. I wanted to represent the younger generation, and the spaces they controlled and decorated were the interiors of their cars."

Read The LITERARY 2016 Edition

TAP TO READ The John STEINBECK ICON Essay By J.A. TRILIEGI : "Question : What is it, that makes a good writer ? There are over a million answers to that question, simply ask a million writers. Each have their own rules, codes and exercises. John Updike adhered to writing three pages a day, before lunch. Charles Bukowski enjoyed a nice bottle of wine and the peaceful patter of classical music, deep into the night. According to John Steinbeck, in his Nobel Prize winning speech, there are many things a writer cannot think, be or do, to be considered, one of the gang. 1-You may not be Exclusive. 2-You may not be Separate. 3-You may not lack passion..."

ROBERT FRANK: THE AMERICANS

An APPRECIATION PIECE by Joshua TRILIEGI: "Photographers around the world revere Robert Frank's contributions to the image pool. Museums of the National and International variety create anthologies, catalogues and booklets attempting to put into perspective the precise importance of Mr. Frank's work. Art galleries and private dealers invest tens, if not hundreds of thousands of dollars in reproducing and reselling the Robert Frank catalogue to new collectors at higher and higher prices each year. Robert Frank's photographs have become iconic, the images are American to the core and yet, he was an outsider, a beatnik, an immigrant, a visual poet... " TAP IMAGE TO READ ARTICLE NOW

REDFORD'S QUIZ SHOW at 20

Tap to READ BUREAU FILM : "This is a large film, with a brilliant cast, a flawless tone and leading actors that include John Turturro as the whistle-blowing contestant Herb Stempel and Ralph Fiennes as Charlie Van Doren, a wealthy second generation Columbia University teacher who gets sucked into cheating himself, the public and his families reputation simply by allowing the network's television producers of The Quiz Show entitled, "21" to, "… give him the answers." Which are said to be, "… sealed in a bank vault." Enter investigating lawyer and Harvard graduate at the top of his class, Richard Goodwin, played here brilliantly by Rob Morrow. A former clerk for Supreme Court Justice Frankfurter, who is on the legislative subcommittee for oversight..."

ON THE FILM SET : Raging BULL

Tap To READ J. A. TRILIEGI ON THE SET: A Man in a hooded, leopard skin robe walks down a long hallway while a group of men push aside those standing in his path. We hear a crowd of thousands cheer the man on, "Jake Jake Jake …" they begin to chant. He is wearing boxing gloves, this is a championship fight, the crowd is dressed in their finest, the men are wearing suits and hats, the women are wearing jewelry, the place is filled with cigar and cigarette smoke, sailors, businessmen, middle aged characters scream the man's name over and over, the women smile as he passes by, his trainers walk in front of and behind the man as he walks down the pathway toward the ring, the volume of the crowd amplifies as the man gets closer and closer to the large roped off square canvas at the center of the arena. The man in the leopard skin robe enters through the ropes, a nondescript fellow with a microphone introduces the man in the robe, the crowd goes wild with frenzy, people are shouting, clapping, everyone is yelling something and then, suddenly, a quiet gent behind a camera yells, "cut" and the place goes silent, the action ceases, everyone settles and a pensive discussion between the crew behind the camera ensues.

BRUCE SPRINGSTEEN: ICON ESSAY

Tap To READ: Bruce Springsteen tells stories. He knits a good yarn. He knows how to handle the crowd. Like most artists, he was a few steps ahead of the audience. Looking back to his debut album, entitled, "Greetings from Asbury Park," it is now clear that, Bruce Springsteen is not just a great singer, performer and musician, Mr. Springsteen is that rare and individual voice, both on the stage and more importantly: on paper. He is a poet. When the world was still reeling from Vietnam, from the end of The Beatles, from the shadow of Richard Nixon and the slow, but steady death of the once powerful 1960s cultural revolution, this artist released an album that was miles and miles, ahead of his audience.

GEORGIA O'KEEFFE ICON

Tap To READ The BUREAU ICON ESSAY: Georgia O'Keeffe, as a person, was precocious, defiant, intelligent, unwavering and spirited. Throughout her education and early years as a painter, she produced an original abstractionist style that had preceded a group of New York painters of the male variety that has, to this day, remained wholly original, breathtakingly expansive and sexually charged in a way that empowers feminine energy and iconography. O'Keeffe rejected analysis of her works from start to finish, from her early years in New York, to her later years in The West, everyone seemed to get it wrong. So then, let us look again at the paintings and life of Ms. Georgia O'Keeffe and see if we can put this incredible body of work into a new and contemporary context with a fresh eye and revisionist look at this phenomenally bold American.

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BUREAU : INTERIOR DESIGN

SPONSORED BY THEFALLSLOUNGE.COM

THE RITZ - CARLTON HOTEL & RESIDENCIES

900 W. OLYMPIC BOULEVARD LOS ANGELES

CALIFORNIA 90015 PHONE 1 . 213 . 622 .4242

BY JOSHUA A. TRILIEGI

BUREAU : INTERIOR DESIGN