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JOSHUA TRILIEGI : OPEN STUDIO ART SALE by APPOINTMENT

 JOSHUA TRILIEGI : OPEN STUDIO ART SALE


THE LOS ANGELES 4 - UP SERIES THAT LAUNCHED OUR BUSINESS WILL FINALLY BE
AVAILABLE FOR PURCHASE.SIGNED AND NUMBERED BY THE ARTIST IN EDITIONS OF
TWELVE. ICONIC IMAGERY OF OUR BELOVED LOS ANGELES LOCATIONS AND STYLE.
  EACH  4 - UP IS MOUNTED ON WHITE ART BOARD AS COLLECTIBLE  PHOTOGRAPHS. 
 THE SERIES HAS BEEN DUPLICATED FOR THE EVERYDAY PERSON PRICED AT $40.00 


JOSHUA TRILIEGI : OPEN STUDIO ART SALE

BY APPOINTMENT  213 975 0067

OR SIMPLY ORDER WHAT YOU LIKE FOR SHIPMENT

PHOTOGRAPHS . PAINTINGS . SCULPTURES . COLLAGE .
STEEL SCULPTURE . FOUND OBJECTS . PRINTS . MORE



BUREAU OF ARTS AND CULTURE ART GALLERY
1282 W SUNSET BOULEVARD LOS ANGELES CA 90026
NEAR DODGER STADIUM / LESS THAN A MILE FROM DOWNTOWN IN ECHO PARK












BUREAU Ad Rates Locations.pdf (PDF — 346 KB)   


 
 
 
 

ANNIE HAYDEN : PIANO TUNER FOR STEINWAY AUDIO INTERVIEW

  ANNIE HAYDEN : PIANO TUNER FOR STEINWAY : INTERVIEW

  http://www.bureauofartsandculture.com/MUSIC--ANNIE-HAYDEN.html

TREYVON MARTIN MARCH and PROTEST

     TREYVON MARTIN MARCH and PROTEST  
     Dateline ; Sunday July 14th 2013 Los Angeles


     Hundreds of citizens of Los Angeles marched through the streets today in protest of the
     recent decision regarding Treyvon Martin. Holding banners, signs and walking in unison.
     The crowd was peacefully expressing their views about a decision they felt was wrong.

     A wide variety of people, all ages, all races gathered in the central portion of Los Angeles.
     BUREAU of Arts and Culture was on hand to document the groups concerns & action.
     So were a concerned group of law enforcement. Los Angeles has seen devastation in the
     past regarding decision such as this. We hope protests such as this will create a dialogue
     among communities throughout the United States and avoid the obvious divisions that can
     happen during interpretations of situations throughout the court systems. More on this as
     the reaction to this decision continues here in Los Angeles, the United states & the world.
     



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BUREAU INTERVIEW Denny NIVENS : CLASSIC SURF BOARD SHAPER

THE BUREAU WEEKLY SUMMER INTERVIEW : Denny NIVENS : CLASSIC SURF BOARD SHAPER

http://www.bureauofartsandculture.com/DENNY-NIVENS.html

BUREAU : PICK OF THE WEEK / ROBIN MITCHELL at CRAIG KRULL on JULY 13th 4 - 6 PM

BUREAU : PICK OF THE WEEK / ROBIN MITCHELL at CRAIG KRULL on JULY 13th
4 - 6 PM

Robin Mitchell's exhibition of recent gouache paintings, entitled
Moment to Moment, continues a
line of visual thinking that has progressed through her previous three
exhibitions at Craig Krull
Gallery. In Code Paintings, her first exhibit with the gallery in 2007,
Mitchell composed intricate
arrangements of small marks and brushstrokes that were suggestive of
landscapes and architectural
cross sections. In her next two shows, working like a zoom lens, she
moved progressively deeper
into her compositions. The once tiny dots and dashes enlarged into more
developed shapes which,
according to Constance Mallinson, "recalled forms from Egyptian
hieroglyphics and stylized decorative
borders, Eastern Mandalas, early Modernist abstraction or popular 50's
design motifs." In Mitchell's
recent paintings, her brilliantly colored starbursts, orbs and linear
overlays suggest that she is moving
even deeper into what appear to be the molecular structures of her
imagery. Like Zeno's paradox,
one senses that Mitchell may continue to take a half step closer to her
subject in an infinite exploration
of form and color.

GREG MILLER at WILLIAM TURNER GALLERY July 20th 6 :30 - 8:30 PM

William Turner Gallery Bergamot Station Arts Center
2525 Michigan Avenue E-1, Santa Monica, CA 90404
Telephone: 310-453-0909, E-mail: rbrander@me.com


GREG MILLER:
LOVE AT FIRST SITE

July 20th September 7th, 2013
Opening Reception:
Saturday, July 20th, 6:30-8:30 pm

Santa Monica, CA The William
Turner Gallery is pleased to present Love at First Site, new paintings
by Greg Miller.
Drawing on the cultural and geographic influences of his California
roots, Greg Miller explores images of the
American urban and rural landscape of the mid-twentieth century. The
work grabs us nostalgically, rousing a
shared cultural memory, but also teaches something of their lingering
pull on contemporary perception.

Greg Miller's work is featured in numerous museum and private
collections, including those of the Frederick R.
Weisman Foundation and Charles Saatchi Foundation. The Get Go, a volume
of his writings, photography
and paintings, was published in 2010, and the first comprehensive
monograph on the artist, Signs of the Nearly
Actual, was published in 2008. Miller spends his time between New York,
NY, Austin, TX and Los Angeles, CA.

BUREAU OF ARTS AND CULTURE : Michael Tilson Thomas and The San Francisco Symphony


Michael Tilson Thomas and The San Francisco Symphony



If Leonard Bernstein was a heavy, Zuben Mehta was passionate,
Dudamel excitable, than Michael Tilson Thomas might be considered
rather light hearted. Light as a feather. His conducting style is easy,
calm with a bit of a sway rather than a swing, a punch or a wield.
Reminiscent of say, the Mayor of Whoville from a Dr Seuss film.
He slides to the left and right, hints at direction and rides the wave
of music with an easy to and fro. Where Leonard Bernstein throttled,
cajoled and exclaimed, Thomas, suggests, points and intimates.
It is a light hearted style, he trusts his collaborators and indeed,
one gets the sense that that too trust him. The BUREAU of Arts
and Culture recently visited the Bay Area and caught an unveiling
of a new composition by John Adams as well as The 4th Symphony
by Beethoven. The Adams piece was riveting, entitled, " Absolute
Jest " and inspired by Ludwig Van, co - commissioned by The San
Francisco Symphony and featuring a string quartet.

We thought it was a fabulous performance, although, it might
have been not so anti-climactic if the Beethoven work had been
performed first and the Adams piece, following suit. After the
excitement of the Adams work, the 4th seemed a bit tired and
even stepped on. Figuring that the work was actually created
from Beethoven, or ' inspired by… ' we were left wanting a bit
more at the end of the evening.

The San Francisco Symphony is well supported by a group of
extremely wealthy and some what conservative supporters.
Not unlike most classical music and other institutes of this
variety, they depend on the support of companies like Chevron,
Bank Of America, AT&T, VISA, Emirates as well as individual
donors. I sometimes wonder what classical music would be like
if we put it in the hands of say, the homeless, the dock workers,
the truck drivers, the bus boys & waitresses or just the everyday
kids on bicycles, skateboards, and people at the bus stops.

Why does classical music have to have that air of superiority ?
When Leonard Bernstein created West Side Story which is now
being celebrated by Thomas & the San Francisco Symphony,
he meant to break down that snooty style and bring classical music
back to the streets. we hope Thomas and his cohorts as well as
our own Los Angeles Symphony and the sometimes uptight
classical Disc jockeys here in Los Angeles, remember that
this music was built to shake things up. Not the opposite.

We sometimes get the sense that classical music is some thing
that is for the wealthy, the conservative, the establishment.
Sorry folks, just like most of the great Shakespeare plays, this
is, was and will always be for the people. In many cases it was
meant to enliven passions, not suppress them. So, heres a note
to D.J.'s such as Dennis Bartel at KUSC, loosen up pop, this is
the modern age, don't forget who's listening, we are pal, and
were the people. By the way, where are the female conductors?
Where are the female disc Jockey's at KUSC ? Why are they
relegated to late night and week ends ? We think KUSC Radio
needs some feminine voices during the weekdays. Enough of this
all male commentary by guys like Dennis Bartel & Brian Lawrenson,
who provide a daily, child - like and somewhat elitist narration.


We applaud the instrumentalists, the composers, the supporters.
We applaud the new as well as the old, though, we we abhor the
tired old view that anyone group owns classical music, rock and
roll music, jazz music and even punk rock music. Music belongs
to the people. Lets keep it that way. Beethoven, Stravinsky,
Rokmonanoff were passionate people who broke the rules of
society and shared what their experiences were through original
compositions that to this day, excite, enthrall and entertain.
The only way were going to get the next generation into this
music without wringing them out to dry is to let the passion flow.

So look out all you bores, squares and wanna-be's. Classical
music is not about a tuxedo, a bank account, a foundation,
classical music is about life, love, passion, danger, death, loss,
war, peace, nature, the planets, and the universe as well as god
and even the idea of no god at all. Music is music is music is music.

http://www.SFSymphony.com

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