BUREAU : ART William Eggleston at Gagosian Beverly Hills

Photos : Joshua A. TRILIEGI  BUREAU of Arts and Culture " L.A Walking Series 2008-2012 "  Visit The Exhibit Oct 25 & 26th 2012


 

BUREAU  :  ART 

WILLIAM EGGLESTON

GAGOSIAN GALLERY BEVERLY HILLS

By Joshua A. TRILIEGI




 William Eggleston made a rare appearance at
Gagosian Beverly Hills recently for the opening
of his famous Series of Photographs entitled,
“ Los Alamos “. What may have seemed like a
Random photo essay on life in America during
a tumultuous time in our history has since become
an extremely important and entertaining body of
work. Iconic. Simple. The straight ahead Jazz of
The photographic world. Eggleston has an eye for
the random. When many of his contemporaries were
shooting weddings, superstars, or their own families.
William drove through sleepy little towns capturing
real life moments, a time and a place, little vignettes
of what is now commonly known as, “Americana” .




Mr Eggleston’s work has a social symbol aspect to it.     
A special and keen eye for light, a brave and vigorous
snapshot sensibility that goes far beyond documentation.
He changed the entire landscape of what a photo is, by 
simply being interested in the smallest detail, texture, 
object, person, place and thing. Sounds easy. Most things 
do fifty years later, during the time, not so. Eggleston 
focused on the America that was changing. He turned his 
lens to things that few others noticed, took for granted, 
or simple had left behind. With much of the interest of
the time moving to the big cities, the Los Alamos Series 
captures small town America at a pivotal moment in our 
culture.


There is a long lineage of documentarians including
Dorothea Lange, Walker Evans, Henri Cartier – Bresson
to name a few, but William Eggleston took all that tradition
and went a step further, his color saturation, his dogged,
roving eye, his well rounded interest in people, places and
things, seems to take it all in, as if the world itself was worth
viewing in every minute detail. The changing times are often
what makes photography valuable. Money, power and activity
of energy were moving away from places like Los Alamos.
This was the end of an era. Pre - hippy, post  beatnik, just prior
to the entire cultural, sexual and youthful revolution that changed
everything for everyone, everywhere.  Los Alamos captures a
sleepy little town with a provincial flair for what is coming soon.
Mr Eggleston knew exactly what he was doing and did it well.
When asked recently if he thought  his work would be collected,
sought after and celebrated while he was making it, he simply
answered : “Yes ”.  A handsome man with a strong grip and few
words. Mr Eggleston is a Southern Gentlemen, the type of artist
one would enjoy a day at the races with, a Scotch on the rocks
or maybe take in an old film while discussing anything  but art.


Eggleston’ s legacy to the American art scene is by no means
nostalgic overtly. Not in any traditional sense of the word.
There is a political aspect to much of his documentation, a
juxtaposing of subjects walking towards, while others are
walking away.  In it’s time , it may have seemed obsessive,
random, even simply mundane. But not so quickly my friends.
This catalogue is immensely important. Thanks somewhat to
time. That ever present thing that marches on and waits for no
man. Time is the secret ingredient for artists and always will be.
This body of work is clever, disciplined, organic and colorful.
It is extremely gratifying to see an elder artist being honored
while alive to tell it all. All too often, talent, fame and yes,
genius is lauded after the fact, leaving only the galleries, the
museums and the professors to speak for the man, the woman,
the hard working individual who actually did the thing we like.
Or in this case the thing we love, for this is indeed a great art.
A man alone with a camera, no assistant, no team, no baggage.
Just a vision, a time, a place and a wanderlust to capture it all.


By Joshua A. TRILIEGI for BUREAUofARTSandCULTURE.com

VISIT ART PAGE FOR RESOURCES

AND LINKS TO INTERESTING GALLERIES AND INSTITUTES
SIMPLY TAP THE SUBJECT & EXPLORE A WORLD OF ART


BUREAU : COFFEE Intelligentsia



Photos : Joshua A. TRILIEGI   BUREAU of Arts and Culture  " L.A. Walking Series 2008 - 2012 "  Exhibiting Oct 25 & 26 2012  6 -10 PM

BUREAU : CUISINE


INTELLIGENTSIA COFFEE



3922 West Sunset Boulevard

Los Angeles California 90029



By Joshua A. TRILIEGI   





Here in Los Angeles there are a handful of really
incredible spots for the kind of coffee experience
that leaves you wondering what took us so long.

In Silver Lake, Intelligentsia Coffee Brewing is
one of the best in our fair city and recently came
in second in a competition that rates coffee, from
the roasting of the bean (they have their own vintage
roasters) to the ways in which it is prepared. This
is the Art of coffee making, roasting, brewing and
serving.

Here one can buy great teas, coffees & accessories
to brew at home and even take the occasional work-
shop, class or tutorial on ways to get the most flavor,
richness and aromas from your coffee bean. They have
a handsome line of well designed cups, saucers, single
drip containers in both the classic old school variety
as well as the Jetson style models. The interior design
is simple, clean, exposed wood, tiles, barstools for
reading at the counter or grab a table with friends and
business associates. Don’t be surprised if you run into
The Red Hot Chili Peppers or any number of folks
who may be visiting their neighbors: The Silver Lake
Conservatory of Music as well as The Cheese Store.

There is an open air feel to the architectural layout,
Allowing it feel like San Francisco or Portland even.
Which is where the company originated. They bake
the coffee beans in nearby Glendale and employ a
good number of people : musicians, writers, fashion
folks, just about everyone here is doing something
creative besides serving up a cuisine like Cup o’ Joe.

 

Intelligentsia is busy just about all the time, your
wait is never an issue. It’s a hipster heaven, but at the
same time, the ideal place to bring Mom and Pop to
meet that guy or girl your planning to move in with.
Conveniently located, as they say, in the middle of
the Sunset Junction, so it can be a full walk about :
thrift shops, a record store, Mexican and Indian food,
a bookstore, a comic book specialty shop, gelato,
retail of all sorts and a micro brewery all within a block
or two. They share this neighborhood with several long
time coffee and pastry shops, but seem to have managed
to acclimate well due mostly to the fact that it’s not just
a good cup of coffee. It is an actual alchemy of sorts. A
savor, sip and save kind of experience that will make one
think twice about filters, processes and taking time to stop
and enjoy even the most basic of substances.


This is one of the smarter companies to enter Los Angeles
in quite a while, good product, well designed packaging,
kind employees who enjoy what they do and a nice locale’
and atmosphere. There is a new generation of thinkers,
entertainers, writers, artists, musicians and business folks
doing their thing here in L.A. : Intelligentsia is in the club.

By Joshua A. TRILIEGI   

VISIT  CUISINE PAGE FOR LINKS TO INTELLIGENTSIA ...

THE LA WALKING SERIES  2008 - 2012  OPENING RECEPTION OCTOBER 25TH & 26TH 2012 AT BUREAU
THE LA WALKING SERIES  2008 - 2012  OPENING RECEPTION OCTOBER 25TH & 26TH 2012 AT BUREAU

THE LA WALKING SERIES  2008 - 2012  OPENING RECEPTION OCTOBER 25TH & 26TH 2012 AT BUREAU

JOSHUA A. TRILIEGI   " THE LA WALKING SERIES "
  180  IMAGES  ON  5 ' X 6 '  ART WORKS  OF   L. A.  

ATTEND A PHOTO FUND RAISER AT  THE BUREAU

 THURSDAY EVENING   OCTOBER 25 TH  6 - 10 PM
 &  FRIDAY  EVENING   OCTOBER 26 TH  6 - 10 PM

 1282  WEST SUNSET BOULEVARD   L A  CA  90026 

http://www.eventbrite.com/event/4509961416

    BUREAUofARTSandCULTURE.com  

BUREAU  : FILM 

 

THE BEAUTIFUL COUNTRY



Directed by Hans Petter Molland

Starring Damien Nguyen

Playing on HBO




Reviewed by Joshua A. TRILIEGI



The Beautiful Country is a heartbreaking journey which
helps any American born stateside to understand fully
the difficulty in being born elsewhere, but having ones
heart set on America & the dream it holds for so many.

Half American, half Vietnamese, our lead character leaves
his native country to find his American born father by birth.
Hated by the locals, un-accepted by his mother' s family and
friends. he takes a leap into the abyss of the unknown world.

From small town to boat, from concentration camp to ship
and on into a story of struggle, pain, not belonging, outsider
status and the search for the father ultimately becomes the
search for self. With little brother in tow and a fist full of
foreign bills, he leads us into a luckless trip full of sweet &
sour sorrow. Befriending other American dreamers along
the way : a political dissident, an attractive young lady, a
sick old man, fellow refugees who have sold themselves to
get on over. None of these friendships seem make the trip
any easier. Prostitution, resistance, political oppression &
the search for that ever elusive American dream embroil
into a game of dangerous proportions with death at every
turn. Humans trapped on a chess board of heroic sacrifice
and humble beginnings. A beautiful and touching film with
excellent writing and directing, very well produced and career
making performances by newcomers as well as stalwart pros.
Tim Roth is the captain of the ship and the incomparable
Nick Nolte is the father, an ex G.I. living on a farm in Texas.

Survival, death and opportunity all mix into a volatile cocktail
of moral values versus the marketplace of human trafficking.
With allusions to death camps of both post and pre war eras,
and the promise that, " You' ll all get rich in America ." , our
characters are trapped in a carrot dangling process of hunger
for both food and a better life elsewhere. A life in America.
Another brave production by Ed Pressman, Terence Malick
and San Nazarian who put up the funds. A return to the kind of
films that Americans were known to produce in the heyday of
classic 1970's and again in the 1990's period of real film making.
All too often, cartoons, machines and digital effects have taken
center stage over story, acting and simply great film making.

The Beautiful Country is a return to the kind of film making
that made the entire world look to Hollywood with love, respect
& honor. A sorrowful film with heartbreaking proportions. A
sort of love letter to the after effects of war, peace, exodus and
the price paid to not only make it in America, but the price paid
to actually get here. Fellow inmates play a game of who can
mention the most American icons in a tandem roulette - like
fashion : Clint Eastwood, Mickey Mouse, NFL, etc ... The basic
subjects that we as Americans take for granted, others do not.
America is indeed ' The Beautiful Country ' , but a whole lotta
ugly can sure be dished out by those wishing to dangle carrots,
abuse their power & use immigrants as tools, objects and or
devices for their own personal gain.

With nothing more than a photograph, an address and a name,
our hero, heart in hand, finds a way to survive the journey, help
others along the way and somehow retain integrity & self respect
in a world full of deceit, dishonesty and destitute situations . He
loses family, gains friends and ultimately finds his father. In a
particularly heroic effort he challenges the ships bullying drug
dealer who leads the games which pit passenger against passenger.
Putting a stop to the games by ultimately out quoting him with a
list of American icons that include : The Miami Dolphins, George
Washington, Huntington Beach, Minnesota and the 10 Freeway,
A touching scene which employs humor, pathos and sadness with
a punch to the gut for anyone with a heart. Finally after several
deaths, detours and degradations, our hero does indeed make it
over. Only to find out that any Vietnamese with an American
father is allowed to fly into America free of charge. All in all
our hero retains that sweet human trait we know as ' Grace ' .
The final chapter between he and his father is touching & open.
I highly suggest this film currently on HBO Cable.


Written By Joshua A. T R I L I E G I 09 . 27 . 2012 

VISIT THE FILM PAGE FOR LINKS TO HBO AND MORE ...

Exclusively for BUREAUofARTSandCULTURE.com Magazine

PHOTOS : JOSHUA A. TRILIEGI                   BUREAU OF ARTS AND CULTURE                ALL RIGHTS RESERVED

BUREAU : FASHION 



TOM FORD

346 NORTH RODEO DRIVE

BEVERLY HILLS CA 90210

310 270 9440



By Joshua A. TRILIEGI




Mr. Fords new Fall line for men drives a classic line straight
through Wall Street. Grey flannel, grey, patterns, and grey
cotton suits all with a flourish or a flare for fine tradition.
The fun is in the accessories and comfort wear : sweaters,
shoes, canes, hats, cuffs, collars and coats as well as bags.

The Beverly Hills store's design is nothing short of fabulous.
A shop which harkens back to the day when gentlemen had
personal tailors, personal tastes, personal assistance and
could spend what they wanted, when they wanted, on who
they wanted, whenever they wanted. That day has returned.
It's not just a boys club anymore, take the stairwell up to
the second level and behold Mr Ford's new line for women.

Tom is no longer just a controversial figure anymore. He has
proven to be the comeback kid time and time again. From his
clothing design to bold accessories, from his recent foray into
film making to his personal battles, Tom Ford is a champion.
Now we can sit back & thoroughly enjoy his prodigious output.

The newest of which is a very slinky, elegant, yet sexy new
line for women with just a touch of that classic asian influence.
As we predicted this Summer, orange is indeed the color for
women this Fall and Tom Ford is utilizing it well. Though, lets
start with those kinky Boots. A Simple, tall, long, straight flare
upward with side zipper, knee high in leather, suede and are you
ready for this ? Anaconda baby. Tom Ford knows what women
like. He knows what men want and he is willing to spend a pretty
penny on a well crafted production line that never seems trendy.

It's as if Mr Ford has experienced the 80's, the 90's, the 00's and
is now creating works for all the decades that lay ahead. Those
thoroughly modern times that we live in today. The dresses have
that touch of Coco inspired scale, tone and classicism. Black on
black, tight fitting, for the younger set, long flowing for mature
girls. The evening gowns come with matching dramatic capes.
A wide variety of shoes of the Italian inspired variety one may
see in Fellini' s, " La Dolce Vita " party scene escapades that we
love so much. The showroom itself is girl on top style, up on the
second floor. An artistically designed stairwell which rivals any
optical art project one can imagine. Luxury. Bold. Comfort. Fun.
Classic. Flair. Serious. Sexy. Fun. Strong. Plush all come to mind.

Controversy is no longer the story at Tom Ford. Eventually an
artist is judged by his or her output. The art, the object, the craft,
the product itself, be it a film, a shoe or an interesting turn of the
phrase. Who can deny a fabulous dress, a great pair of shoes, a
warm fuzzy hat, a classic tuxedo with your choice of over seven
different collars or the kinkiest boots in town ? " Not I" , said the
wise man as he walked among the throngs. Like most designers
of a certain ilk, it's no longer just about the clothing, It's a lifestyle.
This is a one stop shop, make-up, perfume, cologne, hats, dresses,
ties, shoes, canes, umbrellas, shirts, coats, sweaters, purses and that
special Tom Ford signature object : The Travel Bag with Zipper(s).

Tom Ford' s signature line of travel bags employs the Extra Large
Zipper motif which is indeed a copyrighted feature of this broadcast.
The zipper which is large, dipped in gold and [ we have it from a very
reliable source] that it gets easier and easier to open the more one
uses it. Makes sense to me. Travel ought to be fun, safe and sexy.
Tom Ford has been around the world and it shows plenty. The travel
bags are the tried and true keepers of the key here. They come in a
wide variety of colors, sizes and are designed with simple functional
flourishes that make them a joy to behold. An overnight bag says a
lot about the owner. These bags have the strength of a construction
worker's tool kit and the classic style of a Cary Grant romance film.
There is a very down to earth style here at Tom Ford. He has arrived.
What are you waiting for ? Written by Joshua A. TRILIEGI 9.27.12 


VISIT THE FASHION PAGE FOR LINKS TO TOM FORD AND MORE ...

Exclusively For : BUREAUofARTSandCULTURE.com Magazine

  

  BUREAU  :   ART     

 KENT  TWITCHELL

   By Joshua A. TRILIEGI

   September 25th 2012



 Kent Twitchell' s subjects usually stand up.They always seem to look directly at us,
making an intimate kind of eye contact. Twitchell' s character portraits allow us to
see who they are by simply being there.    Sometimes alone,   as in his portrait of
Jesus located in an obscure parking lot wall in the central portion of L. A.   Other 
times in a group,  such as The Musicians along the 110 freeway  in  the Downtown 
Area.    If you are a native Angeleno or someone simply paying attention  than  you 
are already familiar with his work.


You may have even seen it birthed,  lived with it for a while,  sometimes  for 
decades and then quite suddenly seen it vanish. As we experienced with the Ed 
Ruscha portrait that stood boldly on the side of a north facing wall downtown for
so many years. A striking portrait of our local L.A. artist and at this point, thanks 
to Kent, a sort of icon of the West Coast Cool Boys Art Club.Wearing a striking 
scarlet gabardine shirt, clever smile, knowing, somewhat reserved, humble, but 
cool.


When the city painted over this immaculate portrait,they ended up shelling out 
about a million dollars for that little discrepancy. It's often heart breaking to be an 
artist in today's world. The journey itself is harrowing. Artist's biographies often 
eclipse the craft itself, sometimes adding to the story, creating a context,a value, 
a perspective in which allows us a window into the art, man, woman or the very
expression itself. 


One thinks of any number of artists storyline' s in which the events occurring 
created a story to be told concurrently within the work. On the extreme : Van
Gogh, Basquiat, Pollock, Kahlo, Claudel. Sometimes it's a loss, other times it's 
a find. Many artists have sometimes toiled in total obscurity their entire lives
only to be discovered late, such as Thornton Dial.Or even posthumously, Darger 
for instance. Kent Twitchell' s work does not fall into any easy category.There 
are not many master technicians working today that would allow for an easy 
comparison. When it comes to craft, accuracy and depth of process, one may 
thinkof Chuck Close. That is once you have entered Mr. Twitchell' s world and 
his extremely complicated process.


The attention to detail is rather extraordinary.         His work has an extremely 
detailed topographic aspect to it.        Each face is mapped out like a surveyors 
drawing of a piece of land. Seventeen different color pinks for  instance  would 
be considered : P1,P2,P3,P4,P5,P6 etc ...    Most of those colors might look the 
same to the average viewer,  but Mr. Twitchell is no average viewer,  nor  is he
an average artist. We spent an afternoon together some years ago, prior  to  the 
Ed Rushca debacle. I was glad to help carry his bags and boxes for a small exhibit 
at LosAngeles City College.    The BUREAU ran video and gladly documented  the 
hanging of that exhibition. Spending a few hours with Mr Twitchell, his technique 
and the drawings created, you quickly realize that you are in the presence of a 
master technician, not only of light, scale and of realistic portraiture, but also a 
deep understanding of the skins surface,  values and  decades of  dedication  to
craft as well as a patience when it come to preservation.


Mr Twitchell' s subjects are a mix of the populist at large: The Construction Worker, 
The Clerk, The Elder Lady, The Artist, The Marathon Runner, The Doctor, The Jesus, 
The Actor, The Newly Married Couple, real people. A majority are rendered in full 
color other times a monotone version. Often they are taken out of their world with 
a neutral back ground such as the first first work I had ever seen on a nondescript 
wall on Torrance Boulevard, a flat black background.The subjects actually stare at 
the viewer as you drive past, it is beautiful, haunting and an interesting mix of types.


By taking his subjects out of their environment, Kent allows us to see them more 
fully. And when we see each other more fully, we understand one another, and when 
we understand one another, than we make social changes together. Kent has done 
more than create paintings, murals and art, he has indeed created a world of ideas 
that relate directly to L.A.and who we are. He's damn important and quite frankly, 
Ilove him, his work and his legacy for Los Angeles. You know why, because he has 
made us important, the average Angeleno.He looked at a fifty foot wall years ago
 and saw a space for ART. Which makes him a precursor to a lot of graffiti Artists
that work today. A message to the new kids in town : DO NOT EVER DISRESPECT 
A LONG STANDING MURAL IN L.A.


Now for the sad news. With the proliferation of L.A. Murals,Kent is more busy 
suing, fundraising and relocating works than he is creating new ones. We need 
to create a dialogue between the younger generation and the Kent Twitchell' s 
of L.A. We can and we will. Lets face it, these new artists deserve a wall too. 
There are a multitude of LA Murals, L A Muralist' s and LA Artists.   We are here 
to  bridge  the  gap, we call on a truce between  the  aerosol  and  the  brush, 
between the New and the Old, between the Established and the newer artists 
in L.A. Honor the elders. Give opportunities to the youth and together let us all 
celebrate what a incredible city, state, country and world that we all live in.


VISiT THE ART PAGE FOR LINKS TO MR TWITCHELL'S SITE ...

 
What is BUREAU of ARTS and CULTURE ?

by Joshua A. TRILIEGI  Founder
 


People ask us here at BUREAU of ARTS and CULTURE :
Who we are ? , What we do ? & How long have we been
doin' it ? Just the other day, I was on the tele with Bob
Bogard of the Palm Springs Art Museum who inquired .
I realize that an explanation & thorough review is in order.


Although we are currently planning a BUREAU Magazine,
in the past, we have been a gallery, a film company and a
cultural center which has celebrated original music, writing,
television and a safe place to incorporate new ideas for L.A.

We have been around as a casual organization of artists for
several decades. In the eighties, we promoted art, events and
raised money for community causes here in Los Angeles.

In the nineties, we represented and inspired artists, musicians
& writers by promoting, exhibiting, selling and showcasing their
work(s). Established artists, newcomers and the youth of L.A.
participated, transformed, grew, learned & went on to do great
things in the field of art, music, film, writing and organizing.

BUREAU of Arts and Culture is one of the art galleries
to exhibit the early photographs and artworks of artists
such as : Film maker Spike Jonze, Production Designer
Alex McDowell, graphic artists such as Lorna Stovall,
Christina Habberstock and Heather Van Haaften all
participated in our early efforts and together we gained
the attention of writers from publications like Vanity Fair.

Actors such as Emily Wagner, who was a regular on television's
ER  was  given  her  first chance to exhibit art at The  BUREAU.
Working in the film and television world can be daunting, stress-
ful and sometimes belittling. On the one hand, as actors, we get
a chance to express our talents to  our  contemporaries  and the
entire world in many cases. On the other hand,  we do not own
much of what we participate in. As an actor,  creating  art  and
writing your own  material  is  extremely  gratifying. Emily  and
her brother Andrew were both early participants and friends of
BUREAU of Arts and Culture. We were very  supportive  of  one
another.  The actress  Julie  Delpy  was  also  among  that  early
group of artists, actors and writers who was driven to succeed.
Since then, it has been extremely gratifying to watch Andrew's
films,   he is a writer / director  of note as is Ms. Delpy. Emily's
paintings and art works as well as her family  have  grown.  We
are proud  to  be associates and friends of these talented  folks.

Musicians such as Jazz Composer and teacher Christopher
Greco as well as Shannon Michael Terry and The Open Door
Orchestra were also a part of the Bureau's  performing arts
programs.   Local  trumpeter Michael  Bolger  got  his  start
playing live for one of our first art exhibits. A multitude of
D.J.'s, drummers and percussionists all taught & performed. 

Bureau  Interior  design  ideas  were  utilized  by  Cedd  Moses,
Nicole  Miller,   Cha - Cha - Cha,  Marc Smith,   Michelle  Marini,
Richard  Allen ' RAC' Clark III.   Bureau  designs  created  original 
furniture, fixtures and displays  for  Harari  Clothing,  Hollywood 
and Highland, as well as original sculptures  for  Bruce Willis  and 
other clients and celebrity entertainers through the past 25 years.



Film makers such as Rob Stone also utilized Bureau talents
to produce his first film, The Sidewalk Motel, which raised
money and awareness of homeless issues which have always
been a concern of ours at BUREAU of ARTS and CULTURE. 
Ken Seaton and Raymond Pettibones nephew formerly of 
the band 1208 on Epitaph records tapped us early on as well.
James Intveld, John Gulager, Joe Frank, Melanie Lynsky and
dozens of other directors, writers and producers have all
participated in BUREAU Film projects. Thank you one and all.

It has been immensely gratifying to watch the careers, films
and lives of early Bureau participants flourish. We take no
credit for their growth, only note that we are honored to have
them as fellow BUREAU of ARTS and CULTURE Alumni.

As many of the early Bureau participants began to start families,
move overseas, create multi million dollar films, teach at colleges,
start our own businesses, I began to realize that through publishing
a BUREAU Magazine , it would allow for us to somehow continue
to communicate, share, teach and show others what it is we are
doing and inspire younger artists, musicians and film makers who
are currently working, studying and creating future careers in art.

Today is an anniversary of sorts for us here at BUREAU of ARTS
and CULTURE. A year ago this week, we began writing for the
Arts community here in Los Angeles. We interviewed folks like :
Frank Gehry, Quincy Jones, Gloria Molina, Jerry Sanders, Zev
Yaroslavsky and possibly our future Mayor, Jan Perry. It has been
an entire year of writing free of charge for our community in L.A.
Since then, we have written about plays, art exhibits, museum lectures,
stores, fashion lines, new musical bands, boutiques,L.A. Philharmonic,
concerts, boxing, interior design and soon skateboarding, surfing,
bikingand automobiles as well as community concerns that affect life 
in L.A.

We ask our early alumni as well as those establishments that wish to
support the arts in Los Angeles to please consider supporting the Art
Magazine Project by visiting : BUREAUofARTSandCULTURE.com
We will support a student in need of Art and Culture when you or
your company donates, advertises or supports through purchasing
ART, Ad Space or Product Donations in the form of ART Supplies,
Sports equipment, or writing supplies which assist in creating art.
We have a goal to print at least [ 10,000] magazines in early 2013.
Help us reach that goal. Lets create a safe place for Art, Film &
Sports. 

Thank You for your time, support, future advertising and guidance.
Sincerely,

Joshua A. Triliegi
Founder


BUREAUofARTSandCULTURE.com

Joshua@BUREAUofARTSandCULTURE.com
Joshua Aaron TRILIEGI 1282 W. Sunset Bd LA CALIF U S A 90026

 

 

BUREAU : FASHION   [ VISIT THE FASHION PAGE FOR MORE ]


Alexander McQueen 

8379  MELROSE  LA


Written By Joshua A. TRILIEGI 


The Mc Queen line has gone through a few
transformations since it lost the founder. A
groundbreaking designer who catapulted an
interesting and influential high fashion idea
into what has become an empire of Gothic
clothing for both men and women alike.

This new Fall line is a bit like day & night.
Utilizing silks, satins and worn leathers has
created an extremely stylish line that is also
quite comfortable to wear, touch and view.
Women' s bodice top jackets with dramatic
capes attached, men' s umbrella's, canes and
slippers with skull adornments, give it a Doctor
Jeckyl & Mr. Hide vibe via the turn of the century.

Many of the women's jackets and purses come with
a touch of fur, though if one is philosophically against
wearing animals, there is still plenty to appreciate.

For men, the gray, tight fitting suit & the silk striped
tuxedo of the modern variety worn by Cary Grant in
so many Hitchcock movies takes a classic look and
makes it their own. A business and holiday special.

For women, red and black shoes with fur, zippers
and a stiletto type heel that harkens back and also
forward to a time of pedestal - like adoration for the
female form which borders on fetishistic fascination.
The large boot - like arrangement seems to be an
amalgamation of classic heels, boots and the afore
mention pedestal, but with a sense of high art as well.

The future is here. A completely and utterly luxurious
line of clothing which connects the links between high
art, fashion, fetish and the creation of incredible objects.
One can only imagine visiting the factory that whips up
this line of phenomenal products. Craftsmen and women
cutting the patterns, stitching the fabrics and stretching
the leather. One thinks of architects, sculptors and draftsmen
when viewing these wearable fine art objects of the highest
order.

Highly influenced by the costumes and original designers
of clothing for king and queens of early Europe. Velvets,
ruffles, leather, suede & fur all turned on its head an re-
thought to invigorate the modern and utterly unabashed
as well as the unlimited pocketbook of the upper classes.

Although high fashion is often finicky, fickle and trendy in
its nature and there is plenty of fun, frolic and flourish here,
many of the pieces are of a classic cut and simple line that
will indeed last forever both physically and in terms of style.

The Mc Queen line is so well crafted and created that it
presents the wearer on a pedestal that entirely transcends
the pitfalls of the last season versus this season paradigm.

The calf skin urban cut jackets for women available in both
dark green and mauve distressed leather are soft to touch.
They wear well, collars flip up dramatically for that wind
swept moment and back down accordingly. The attention to
detail is downright erotic on most of the Mc Queen Fall line.
There is a keen attention to scale, line and placement that
has an artists touch at every turn. Surely crafted by the best
tailors and leather workers anywhere in the entire world.
One is left thinking about where one might wear these objects.

The Alexander Mc Queen Line is pure art. The real question here
is not whether the clothing stands up, the real question here is :
Can the world itself live up to these fascinating art like objects ? 


BUREAUofARTSandCULTURE.com 
FRI SEP 21 2012

VISIT THE FASHION PAGE FOR LINKS TO ALEXANDER MC QUEEN ...