BUREAU of ARTS and CULTURE MAGAZINE: LOS ANGELES

What is BUREAU of ARTS and CULTURE ?

by Joshua A. TRILIEGI Founder

People ask us here at BUREAU of ARTS and CULTURE :
Who we are ? , What we do ? & How long have we been
doin' it ? Just the other day, I was on the tele with Bob
Bogard of the Palm Springs Art Museum who inquired .
I realize that an explanation & thorough review is in order.

Although we are currently planning a BUREAU Magazine,
in the past, we have been a gallery, a film company and a
cultural center which has celebrated original music, writing,
television and a safe place to incorporate new ideas for L.A.

We have been around as a casual organization of artists for
several decades. In the eighties, we promoted art, events and
raised money for community causes here in Los Angeles.

In the nineties, we represented and inspired artists, musicians
& writers by promoting, exhibiting, selling and showcasing their
work(s). Established artists, newcomers and the youth of L.A.
participated, transformed, grew, learned & went on to do great
things in the field of art, music, film, writing and organizing.

BUREAU of Arts and Culture is one of the art galleries
to exhibit the early photographs and artworks of artists
such as : Film maker Spike Jonze, Production Designer
Alex McDowell, graphic artists such as Lorna Stovall,
Christina Habberstock and Heather Van Haaften all
participated in our early efforts and together we gained
the attention of writers from publications like Vanity Fair.

Actors such as Emily Wagner, who was a regular on television's
ER was given her first chance to exhibit art at The BUREAU.
Working in the film and television world can be daunting, stress-
ful and sometimes belittling. On the one hand, as actors, we get
a chance to express our talents to our contemporaries and the
entire world in many cases. On the other hand, we do not own
much of what we participate in. As an actor, creating art and
writing your own material is extremely gratifying. Emily and
her brother Andrew were both early participants and friends of
BUREAU of Arts and Culture. We were very supportive of one
another. The actress Julie Delpy was also among that early
group of artists, actors and writers who was driven to succeed.
Since then, it has been extremely gratifying to watch Andrew's
films, he is a writer / director of note as is Ms. Delpy. Emily's
paintings and art works as well as her family have grown. We
are proud to be associates and friends of these talented folks.

Musicians such as Jazz Composer and teacher Christopher
Greco as well as Shannon Michael Terry and The Open Door
Orchestra were also a part of the Bureau's performing arts
programs. Local trumpeter Michael Bolger got his start
playing live for one of our first art exhibits. A multitude of
D.J.'s, drummers and percussionists all taught & performed.

Bureau Interior design ideas were utilized by Cedd Moses,
Nicole Miller, Cha - Cha - Cha, Marc Smith, Michelle Marini,
Richard Allen ' RAC' Clark III. Bureau designs created original
furniture, fixtures and displays for Harari Clothing, Hollywood
and Highland, as well as original sculptures for Bruce Willis and
other clients and celebrity entertainers through the past 25 years.

Film makers such as Rob Stone also utilized Bureau talents
to produce his first film, The Sidewalk Motel, which raised
money and awareness of homeless issues which have always
been a concern of ours at BUREAU of ARTS and CULTURE.
Ken Seaton and Raymond Pettibones nephew formerly of
the band 1208 on Epitaph records tapped us early on as well.
James Intveld, John Gulager, Joe Frank, Melanie Lynsky and
dozens of other directors, writers and producers have all
participated in BUREAU Film projects. Thank you one and all.

It has been immensely gratifying to watch the careers, films
and lives of early Bureau participants flourish. We take no
credit for their growth, only note that we are honored to have
them as fellow BUREAU of ARTS and CULTURE Alumni.

As many of the early Bureau participants began to start families,
move overseas, create multi million dollar films, teach at colleges,
start our own businesses, I began to realize that through publishing
a BUREAU Magazine , it would allow for us to somehow continue
to communicate, share, teach and show others what it is we are
doing and inspire younger artists, musicians and film makers who
are currently working, studying and creating future careers in art.

Today is an anniversary of sorts for us here at BUREAU of ARTS
and CULTURE. A year ago this week, we began writing for the
Arts community here in Los Angeles. We interviewed folks like :
Frank Gehry, Quincy Jones, Gloria Molina, Jerry Sanders, Zev
Yaroslavsky and possibly our future Mayor, Jan Perry. It has been
an entire year of writing free of charge for our community in L.A.
Since then, we have written about plays, art exhibits, museum lectures,
stores, fashion lines, new musical bands, boutiques,L.A. Philharmonic,
concerts, boxing, interior design and soon skateboarding, surfing,
bikingand automobiles as well as community concerns that affect life
in L.A.

We ask our early alumni as well as those establishments that wish to
support the arts in Los Angeles to please consider supporting the Art
Magazine Project by visiting : BUREAUofARTSandCULTURE.com
We will support a student in need of Art and Culture when you or
your company donates, advertises or supports through purchasing
ART, Ad Space or Product Donations in the form of ART Supplies,
Sports equipment, or writing supplies which assist in creating art.
We have a goal to print at least [ 10,000] magazines in early 2013.
Help us reach that goal. Lets create a safe place for Art, Film &
Sports.

Thank You for your time, support, future advertising and guidance.
Sincerely,

Joshua A. Triliegi
Founder

BUREAUofARTSandCULTURE.com
Joshua@BUREAUofARTSandCULTURE.com
Joshua Aaron TRILIEGI 1282 W. Sunset Bd LA CALIF U S A 90026

WHY JIM HARRISON IS NOT DEAD

Tap Image to Read The Article Honoring The "LEGENDS OF THE FALL" Writer and Poet: Jim Harrison came from a family that adored and revered Literature: "My Family were obsessive readers…" The famous story goes, that, at a dinner table discussion, his family were talking about Norman Mailer's first success on the world stage and his book, entitled, " The Naked and The Dead, " young Jim responded to the conversation with the quick and curious question, "Does it have Illustrations ?" Laughter ensued and the beginning of his particularly curious, yet grounded, stoic, although humorous, celebratory whilst at the same time cautionary literary style is born.

THE IRVINE WELSH INTERVIEW

Author of TRAIN-SPOTTING on Writing, Politics + More/ Photo Essay By Walter ROTHWELL: "One of the things that happens with success is that you need to balance being a writer with an author. Writers write, while authors promote and talk about their work. So you learn that you have two jobs, which generally compliment each other, but can often get in each others way. This confusion is compounded by me working in film and TV; you need to think differently on screenplay as you are an architect rather than a builder, and once a work goes into production, you (appropriately) fall quite far down the food chain. So I now wear different hats, which I usually like –life gets boring doing the same thing."

The Nathan Walsh Interview

Tap to Read The New York Based BUREAU Guest Artist discussing his work, technique and the future of Realism in ART with Bureau Editor Joshua TRILIEGI: "I started collecting art related books as a student. This has served as daily form a of inspiration and guidance for my own practice. Looking at significant artists and paintings of the past can often be intimidating but can also suggest ways forward. My inspirations are numerous and varied from Piranesi’s engravings to the decorative tiles of William De Morgan. What connects all of these interests is a strong sense of structure and pattern. Most of the artists and designers I admire had or have a rigorous approach to composition and commitment to process perhaps more than outcome. I often think my own work as “sampling” these inspiring figures, whether it be the palette of Bonnard or the dynamism of a Bernice Abbott photograph. " - NATHAN WALSH

THE MUSIC EDITION

Tap To Read and or Download The FREE Music Edition INTERVIEW Painter CHRISTOPHER STOTT . This New Edition Contains The BUREAU MUSIC ICON Essay: HANK WILLIAMS . PHOTOGRAPHIC ESSAYS and ARTICLES BY THE INFAMOUS MR. ART SHAY . MATHEW BARNEY at MOCA LA Plus BUREAU PROFILE : ANDREW HOLDER . The BUREAU PHOTOGRAPHIC INTERVIEW with LAURA STEVENS in PARIS . BUREAU FILM : BLUE VELVET at THIRTY . ART of MILES DAVIS "The SHAMAN" . PRINCE TRIBUTE plus MUSIC INTERVIEW with Singer-Songwriter: JOSHUA TATE . SOUND ARTIST : CÉLESTE BOURSIER - MOUGENOT with CHRISTOPH COX . DESIGN : ITS ABOUT WALLPAPER . COMEDY INTERVIEW with Andre HYLAND . John DOE . Aimee MANN . Chris STAPLETON . BLACK IS BEAUTIFUL : KWAME BRATHWAITE'S New HARLEM RENAISSANCE . DANNY LYON at THE WHITNEY MUSEUM + R. CRUMB at SEATTLE MUSEUM . TUPAC + ICE CUBE PHOTOS Mike MILLER . "LEGENDS OF THE FALL," WRITER : JIM HARRISON .

The ALEX HARRIS Interview

Tap To READ Alex HARRIS : "When I had the idea to photograph the landscape of northern New Mexico through the interiors of the cars of people who lived there, I’d been living in northern New Mexico on and off for almost 15 years and working in color there for about five years with a view camera. I saw myself as making the portrait of this region without including any actual people in the pictures. So I photographed extensively inside homes, whose decoration was primarily the domain of women, and the outsides of homes and in the fields, which was primarily the domain of men. In photographing these spaces, in a sense I was portraying the people who had created or shaped those spaces over the years. I wanted to represent the younger generation, and the spaces they controlled and decorated were the interiors of their cars."

Read The LITERARY 2016 Edition

TAP TO READ The John STEINBECK ICON Essay By J.A. TRILIEGI : "Question : What is it, that makes a good writer ? There are over a million answers to that question, simply ask a million writers. Each have their own rules, codes and exercises. John Updike adhered to writing three pages a day, before lunch. Charles Bukowski enjoyed a nice bottle of wine and the peaceful patter of classical music, deep into the night. According to John Steinbeck, in his Nobel Prize winning speech, there are many things a writer cannot think, be or do, to be considered, one of the gang. 1-You may not be Exclusive. 2-You may not be Separate. 3-You may not lack passion..."

ROBERT FRANK: THE AMERICANS

An APPRECIATION PIECE by Joshua TRILIEGI: "Photographers around the world revere Robert Frank's contributions to the image pool. Museums of the National and International variety create anthologies, catalogues and booklets attempting to put into perspective the precise importance of Mr. Frank's work. Art galleries and private dealers invest tens, if not hundreds of thousands of dollars in reproducing and reselling the Robert Frank catalogue to new collectors at higher and higher prices each year. Robert Frank's photographs have become iconic, the images are American to the core and yet, he was an outsider, a beatnik, an immigrant, a visual poet... " TAP IMAGE TO READ ARTICLE NOW

REDFORD'S QUIZ SHOW at 20

Tap to READ BUREAU FILM : "This is a large film, with a brilliant cast, a flawless tone and leading actors that include John Turturro as the whistle-blowing contestant Herb Stempel and Ralph Fiennes as Charlie Van Doren, a wealthy second generation Columbia University teacher who gets sucked into cheating himself, the public and his families reputation simply by allowing the network's television producers of The Quiz Show entitled, "21" to, "… give him the answers." Which are said to be, "… sealed in a bank vault." Enter investigating lawyer and Harvard graduate at the top of his class, Richard Goodwin, played here brilliantly by Rob Morrow. A former clerk for Supreme Court Justice Frankfurter, who is on the legislative subcommittee for oversight..."

ON THE FILM SET : Raging BULL

Tap To READ J. A. TRILIEGI ON THE SET: A Man in a hooded, leopard skin robe walks down a long hallway while a group of men push aside those standing in his path. We hear a crowd of thousands cheer the man on, "Jake Jake Jake …" they begin to chant. He is wearing boxing gloves, this is a championship fight, the crowd is dressed in their finest, the men are wearing suits and hats, the women are wearing jewelry, the place is filled with cigar and cigarette smoke, sailors, businessmen, middle aged characters scream the man's name over and over, the women smile as he passes by, his trainers walk in front of and behind the man as he walks down the pathway toward the ring, the volume of the crowd amplifies as the man gets closer and closer to the large roped off square canvas at the center of the arena. The man in the leopard skin robe enters through the ropes, a nondescript fellow with a microphone introduces the man in the robe, the crowd goes wild with frenzy, people are shouting, clapping, everyone is yelling something and then, suddenly, a quiet gent behind a camera yells, "cut" and the place goes silent, the action ceases, everyone settles and a pensive discussion between the crew behind the camera ensues.

BRUCE SPRINGSTEEN: ICON ESSAY

Tap To READ: Bruce Springsteen tells stories. He knits a good yarn. He knows how to handle the crowd. Like most artists, he was a few steps ahead of the audience. Looking back to his debut album, entitled, "Greetings from Asbury Park," it is now clear that, Bruce Springsteen is not just a great singer, performer and musician, Mr. Springsteen is that rare and individual voice, both on the stage and more importantly: on paper. He is a poet. When the world was still reeling from Vietnam, from the end of The Beatles, from the shadow of Richard Nixon and the slow, but steady death of the once powerful 1960s cultural revolution, this artist released an album that was miles and miles, ahead of his audience.

GEORGIA O'KEEFFE ICON

Tap To READ The BUREAU ICON ESSAY: Georgia O'Keeffe, as a person, was precocious, defiant, intelligent, unwavering and spirited. Throughout her education and early years as a painter, she produced an original abstractionist style that had preceded a group of New York painters of the male variety that has, to this day, remained wholly original, breathtakingly expansive and sexually charged in a way that empowers feminine energy and iconography. O'Keeffe rejected analysis of her works from start to finish, from her early years in New York, to her later years in The West, everyone seemed to get it wrong. So then, let us look again at the paintings and life of Ms. Georgia O'Keeffe and see if we can put this incredible body of work into a new and contemporary context with a fresh eye and revisionist look at this phenomenally bold American.

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