BUREAU of ARTS and CULTURE MAGAZINE: LOS ANGELES

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Alexander McQueen

8379 MELROSE LA

Written By Joshua A. TRILIEGI

The Mc Queen line has gone through a few
transformations since it lost the founder. A
groundbreaking designer who catapulted an
interesting and influential high fashion idea
into what has become an empire of Gothic
clothing for both men and women alike.

This new Fall line is a bit like day & night.
Utilizing silks, satins and worn leathers has
created an extremely stylish line that is also
quite comfortable to wear, touch and view.
Women' s bodice top jackets with dramatic
capes attached, men' s umbrella's, canes and
slippers with skull adornments, give it a Doctor
Jeckyl & Mr. Hide vibe via the turn of the century.

Many of the women's jackets and purses come with
a touch of fur, though if one is philosophically against
wearing animals, there is still plenty to appreciate.

For men, the gray, tight fitting suit & the silk striped
tuxedo of the modern variety worn by Cary Grant in
so many Hitchcock movies takes a classic look and
makes it their own. A business and holiday special.

For women, red and black shoes with fur, zippers
and a stiletto type heel that harkens back and also
forward to a time of pedestal - like adoration for the
female form which borders on fetishistic fascination.
The large boot - like arrangement seems to be an
amalgamation of classic heels, boots and the afore
mention pedestal, but with a sense of high art as well.

The future is here. A completely and utterly luxurious
line of clothing which connects the links between high
art, fashion, fetish and the creation of incredible objects.
One can only imagine visiting the factory that whips up
this line of phenomenal products. Craftsmen and women
cutting the patterns, stitching the fabrics and stretching
the leather. One thinks of architects, sculptors and draftsmen
when viewing these wearable fine art objects of the highest
order.

Highly influenced by the costumes and original designers
of clothing for king and queens of early Europe. Velvets,
ruffles, leather, suede & fur all turned on its head an re-
thought to invigorate the modern and utterly unabashed
as well as the unlimited pocketbook of the upper classes.

Although high fashion is often finicky, fickle and trendy in
its nature and there is plenty of fun, frolic and flourish here,
many of the pieces are of a classic cut and simple line that
will indeed last forever both physically and in terms of style.

The Mc Queen line is so well crafted and created that it
presents the wearer on a pedestal that entirely transcends
the pitfalls of the last season versus this season paradigm.

The calf skin urban cut jackets for women available in both
dark green and mauve distressed leather are soft to touch.
They wear well, collars flip up dramatically for that wind
swept moment and back down accordingly. The attention to
detail is downright erotic on most of the Mc Queen Fall line.
There is a keen attention to scale, line and placement that
has an artists touch at every turn. Surely crafted by the best
tailors and leather workers anywhere in the entire world.
One is left thinking about where one might wear these objects.

The Alexander Mc Queen Line is pure art. The real question here
is not whether the clothing stands up, the real question here is :
Can the world itself live up to these fascinating art like objects ?

BUREAUofARTSandCULTURE.com
FRI SEP 21 2012

VISIT THE FASHION PAGE FOR LINKS TO ALEXANDER MC QUEEN ...

WHY JIM HARRISON IS NOT DEAD

Tap Image to Read The Article Honoring The "LEGENDS OF THE FALL" Writer and Poet: Jim Harrison came from a family that adored and revered Literature: "My Family were obsessive readers…" The famous story goes, that, at a dinner table discussion, his family were talking about Norman Mailer's first success on the world stage and his book, entitled, " The Naked and The Dead, " young Jim responded to the conversation with the quick and curious question, "Does it have Illustrations ?" Laughter ensued and the beginning of his particularly curious, yet grounded, stoic, although humorous, celebratory whilst at the same time cautionary literary style is born.

THE IRVINE WELSH INTERVIEW

Author of TRAIN-SPOTTING on Writing, Politics + More/ Photo Essay By Walter ROTHWELL: "One of the things that happens with success is that you need to balance being a writer with an author. Writers write, while authors promote and talk about their work. So you learn that you have two jobs, which generally compliment each other, but can often get in each others way. This confusion is compounded by me working in film and TV; you need to think differently on screenplay as you are an architect rather than a builder, and once a work goes into production, you (appropriately) fall quite far down the food chain. So I now wear different hats, which I usually like –life gets boring doing the same thing."

The Nathan Walsh Interview

Tap to Read The New York Based BUREAU Guest Artist discussing his work, technique and the future of Realism in ART with Bureau Editor Joshua TRILIEGI: "I started collecting art related books as a student. This has served as daily form a of inspiration and guidance for my own practice. Looking at significant artists and paintings of the past can often be intimidating but can also suggest ways forward. My inspirations are numerous and varied from Piranesi’s engravings to the decorative tiles of William De Morgan. What connects all of these interests is a strong sense of structure and pattern. Most of the artists and designers I admire had or have a rigorous approach to composition and commitment to process perhaps more than outcome. I often think my own work as “sampling” these inspiring figures, whether it be the palette of Bonnard or the dynamism of a Bernice Abbott photograph. " - NATHAN WALSH

THE MUSIC EDITION

Tap To Read and or Download The FREE Music Edition INTERVIEW Painter CHRISTOPHER STOTT . This New Edition Contains The BUREAU MUSIC ICON Essay: HANK WILLIAMS . PHOTOGRAPHIC ESSAYS and ARTICLES BY THE INFAMOUS MR. ART SHAY . MATHEW BARNEY at MOCA LA Plus BUREAU PROFILE : ANDREW HOLDER . The BUREAU PHOTOGRAPHIC INTERVIEW with LAURA STEVENS in PARIS . BUREAU FILM : BLUE VELVET at THIRTY . ART of MILES DAVIS "The SHAMAN" . PRINCE TRIBUTE plus MUSIC INTERVIEW with Singer-Songwriter: JOSHUA TATE . SOUND ARTIST : CÉLESTE BOURSIER - MOUGENOT with CHRISTOPH COX . DESIGN : ITS ABOUT WALLPAPER . COMEDY INTERVIEW with Andre HYLAND . John DOE . Aimee MANN . Chris STAPLETON . BLACK IS BEAUTIFUL : KWAME BRATHWAITE'S New HARLEM RENAISSANCE . DANNY LYON at THE WHITNEY MUSEUM + R. CRUMB at SEATTLE MUSEUM . TUPAC + ICE CUBE PHOTOS Mike MILLER . "LEGENDS OF THE FALL," WRITER : JIM HARRISON .

The ALEX HARRIS Interview

Tap To READ Alex HARRIS : "When I had the idea to photograph the landscape of northern New Mexico through the interiors of the cars of people who lived there, I’d been living in northern New Mexico on and off for almost 15 years and working in color there for about five years with a view camera. I saw myself as making the portrait of this region without including any actual people in the pictures. So I photographed extensively inside homes, whose decoration was primarily the domain of women, and the outsides of homes and in the fields, which was primarily the domain of men. In photographing these spaces, in a sense I was portraying the people who had created or shaped those spaces over the years. I wanted to represent the younger generation, and the spaces they controlled and decorated were the interiors of their cars."

Read The LITERARY 2016 Edition

TAP TO READ The John STEINBECK ICON Essay By J.A. TRILIEGI : "Question : What is it, that makes a good writer ? There are over a million answers to that question, simply ask a million writers. Each have their own rules, codes and exercises. John Updike adhered to writing three pages a day, before lunch. Charles Bukowski enjoyed a nice bottle of wine and the peaceful patter of classical music, deep into the night. According to John Steinbeck, in his Nobel Prize winning speech, there are many things a writer cannot think, be or do, to be considered, one of the gang. 1-You may not be Exclusive. 2-You may not be Separate. 3-You may not lack passion..."

ROBERT FRANK: THE AMERICANS

An APPRECIATION PIECE by Joshua TRILIEGI: "Photographers around the world revere Robert Frank's contributions to the image pool. Museums of the National and International variety create anthologies, catalogues and booklets attempting to put into perspective the precise importance of Mr. Frank's work. Art galleries and private dealers invest tens, if not hundreds of thousands of dollars in reproducing and reselling the Robert Frank catalogue to new collectors at higher and higher prices each year. Robert Frank's photographs have become iconic, the images are American to the core and yet, he was an outsider, a beatnik, an immigrant, a visual poet... " TAP IMAGE TO READ ARTICLE NOW

REDFORD'S QUIZ SHOW at 20

Tap to READ BUREAU FILM : "This is a large film, with a brilliant cast, a flawless tone and leading actors that include John Turturro as the whistle-blowing contestant Herb Stempel and Ralph Fiennes as Charlie Van Doren, a wealthy second generation Columbia University teacher who gets sucked into cheating himself, the public and his families reputation simply by allowing the network's television producers of The Quiz Show entitled, "21" to, "… give him the answers." Which are said to be, "… sealed in a bank vault." Enter investigating lawyer and Harvard graduate at the top of his class, Richard Goodwin, played here brilliantly by Rob Morrow. A former clerk for Supreme Court Justice Frankfurter, who is on the legislative subcommittee for oversight..."

ON THE FILM SET : Raging BULL

Tap To READ J. A. TRILIEGI ON THE SET: A Man in a hooded, leopard skin robe walks down a long hallway while a group of men push aside those standing in his path. We hear a crowd of thousands cheer the man on, "Jake Jake Jake …" they begin to chant. He is wearing boxing gloves, this is a championship fight, the crowd is dressed in their finest, the men are wearing suits and hats, the women are wearing jewelry, the place is filled with cigar and cigarette smoke, sailors, businessmen, middle aged characters scream the man's name over and over, the women smile as he passes by, his trainers walk in front of and behind the man as he walks down the pathway toward the ring, the volume of the crowd amplifies as the man gets closer and closer to the large roped off square canvas at the center of the arena. The man in the leopard skin robe enters through the ropes, a nondescript fellow with a microphone introduces the man in the robe, the crowd goes wild with frenzy, people are shouting, clapping, everyone is yelling something and then, suddenly, a quiet gent behind a camera yells, "cut" and the place goes silent, the action ceases, everyone settles and a pensive discussion between the crew behind the camera ensues.

BRUCE SPRINGSTEEN: ICON ESSAY

Tap To READ: Bruce Springsteen tells stories. He knits a good yarn. He knows how to handle the crowd. Like most artists, he was a few steps ahead of the audience. Looking back to his debut album, entitled, "Greetings from Asbury Park," it is now clear that, Bruce Springsteen is not just a great singer, performer and musician, Mr. Springsteen is that rare and individual voice, both on the stage and more importantly: on paper. He is a poet. When the world was still reeling from Vietnam, from the end of The Beatles, from the shadow of Richard Nixon and the slow, but steady death of the once powerful 1960s cultural revolution, this artist released an album that was miles and miles, ahead of his audience.

GEORGIA O'KEEFFE ICON

Tap To READ The BUREAU ICON ESSAY: Georgia O'Keeffe, as a person, was precocious, defiant, intelligent, unwavering and spirited. Throughout her education and early years as a painter, she produced an original abstractionist style that had preceded a group of New York painters of the male variety that has, to this day, remained wholly original, breathtakingly expansive and sexually charged in a way that empowers feminine energy and iconography. O'Keeffe rejected analysis of her works from start to finish, from her early years in New York, to her later years in The West, everyone seemed to get it wrong. So then, let us look again at the paintings and life of Ms. Georgia O'Keeffe and see if we can put this incredible body of work into a new and contemporary context with a fresh eye and revisionist look at this phenomenally bold American.

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